This newest piece performs on the idea of the fashions as transferring artwork – a nod to Cohen’s foray into the artwork world with the opening of his new SEIS Gallery in downtown Los Angeles. Shot on location on the gallery, towards the backdrop of artist Peter Lodato’s exhibition, the fashions don outfits from Cohen’s 2022 Winter Line. 

Baron labored carefully with Cohen to curate the outfits featured within the movie primarily based on colours, sample, and motion. She additionally offered the fashions with music references and course – typically having them think about themselves as a transferring Mona Lisa and different instances, bringing a extra David Bowie vitality, so there was selection throughout the movie. 

“Working with Katharina on initiatives at all times entails a great measure of discovery,” enthuses  Cohen, “and utilizing the fabric we’ve in further artistic methods — in movement, with music, and typically in phrases, all to attain a extra vivid and valued document of the story we want to inform. And her enthusiasm, an unusually uncommon high quality, is invaluable.”

“It was such a beautiful ambiance on set, working with Peter and the fashions to create the visible interaction between their actions, the art work, and lighting,” remarks Baron. 

Extending the moody sonic ambiance of the pre-fall marketing campaign she directed, Baron underscored the movie with a dramatic classical piano composition by DP Joseph Seif. 

“I are likely to gravitate in the direction of multifaceted filmmakers,” concludes Baron. “Their perspective working throughout totally different artistic disciplines has a manner of viscerally remodeling a movie; and on this case, Joseph’s music introduced a sure rhythm and concord that elevated the movie. It was a real privilege collaborating with Peter, and creating a bit that not solely captures his ardour for artwork but additionally honors his legacy in style.”